Showing posts with label Banality of Evil. Show all posts
Showing posts with label Banality of Evil. Show all posts

Friday, November 13, 2015

Short Fiction: Normalcy of Evil

A person doesn’t just stumble into becoming a serial murderer and mad bomber. On the other hand that’s almost exactly how it happens. These sort of paradoxes are both good and necessary when the issue of complete system failure within civilized human resources is addressed. In some senses there is a dramatic event horizon a person crosses, a moment where the darkness fully embraces the soul and all goodness perishes. On the other hand it’s all so fucking banal. It even starts to become very understandable and its at that point that we have to retreat back to ideas about moral Rubicons and psychotic breaks and all the rest. The banality of evil is hard enough, but the normalcy of evil? It can never be admitted if this thing we call civilization is going to have any chance of getting a second wind.
             
Nature and nurture, all the forces of the invisible but undeniable structure that supports every silly little thing that seem very important before one looks death square in the face and lets the illusion of sanity drain away. The illusions, the mythologies, they still have power even after this encounter. They creep back in and the false comforts are difficult to resist, especially in light of the alternative. The upshot of all this bullshit is that there is no single moment that defines any given human soul, just slow slides toward a direction that is probably almost completely predetermined, broken up by occasional retreats or halting inertia provided by moments of genuine happiness and connection to the world. They’re fleeting and then the steady drift toward destiny resumes.
           
He was at a bar, trying his best to both fit in and stand out all at the same time. Not easy. Conflicting bits of advice from websites that taught “game” and polite society that teaches everything but that swirled behind glazed eyes, the eyes of a toad. The half empty scotch-n-soda was held at chest level, almost like a holy cross to ward off the freaks that came out with the night, even in an idealistic suburban bubble. It took tremendous force of will to force the prop back down to waist level, where it would communicate the confidence of the pack leader, according to some half-remembered website. A warm drop of sweat slid down the side of his face. It was late summer, deep in the dog days. The press of warm bodies and the stress of having to “assume the sale” within this meat market was not helping.
             
Yeah, genetics and conditioning. Add in existing societal structures and expectations and you’ve got your holy trinity. The drink was back up in front of a quivering, moist sternum. Thirty Five years old. Happy fucking birthday. Thinning list of women who even acknowledge your existence, thinning patience, thinning hair, widening midsection, all that shit. It was time to change it. Three second approach, don’t want to be a coward or worse a beta. No turning back now, target acquired. The glass flew back to the beltline with a spastic jerk, spilling water and booze on his cool new shoes. A man sliding toward a happier future might make some crack about the alligators being hungry and giving them a drink, but he was nearly paralyzed by a combination of fear and narrowed purpose.
           
 “You ready to get out of here?” It came out as a an awkward squawk. The female target turned slightly toward the source of the unpleasant outburst, orange skin crunching itself into exaggerated disapproval. That or a catcher’s mitt with light blue eyes.
            
 “What did you say?” Just a small hint of carefree mirth peeked through the heavy weight of social rejection and it was enough to encourage that this doomed mission to pound crotch would continue to its inevitable crash and burn.
            
 “I was thinking we should get out of here.” He felt faint, light and dark and wacky signs and beer ads and bottles of all shapes and colors swirled into a hedonistic blur. Then everything focused in on that unnaturally tinted face, the face of a tanning bed angel.  
             
She laughed, but the mirth was gone now, replaced by dismissive malice. “Get lost.” A staggered retreat, more unpleasantly joyful braying as the only companion for the promised activity of getting out of there.
             
You can’t blame it on that one moment, or really any other. The first murder didn’t happen for several days and was a random victim instead of the obvious choice. It was the end of a long and lonesome road, not a sudden deviation caused by failure in love. That’s not to say that the undrained testes don’t play a major role in these sort of crimes, because they certainly do, but let’s not lose all the other complexities to simple myopia. If you want to keep it simple just blame crap nu-metal and the video game boogey man. It’s easy and no one with any real power would ever call you out for it.
             
Days passed after that failure to fire the love rocket and then there was that encounter with the human road kill, another precious soul in GOD’s image whose own pathetic path toward ruin was cut short by a merger with a tough as all Hell truck. It probably had at least some impact on the decision to start human-hunting, but it’s hard to say. Tuck that shit into a file, stamp “not otherwise specified” on it and forget it, we don’t have much more time to spend on this.
             
Then the kill. Just a blur, spraying blood, knife reflecting the moonlight, muscles aching from the effort. It might have been a minute, but it passed by in a few seconds. Back to the hole in the wall, over the toilet, the yellow yawn. Insides feeling like they’re being shredded, body shaking, consciousness lost into a vanishing point. The “I’ll never do this again, ever” of a regretful drunk, knowing full well that he inevitably would, that free will was nothing but a cruel joke at this point, that something was broken in the mind. Not even something large, not a universal joint or the like. Just one tiny part. But it was enough to compromise the entire system.
            
 Then another and another. Bomb making materials. Auto-pilot. Hurt by so few, but everyone has to pay. Humanity lost. Another interesting story for the back page of the paper. We can all shake our heads and cluck and “there but by the grace of god” and all that shit. Yeah, that’s you. 


Aaron Zehner is the author of "The Foolchild Invention" available in paperback and e-book format. Read free excerpts here and here.  

Sunday, January 4, 2015

How Come No One Likes My Unlikable Characters

Writing about bad people is fun, but is it fun to read? In a lot of cases the answer is “no” especially when the character in question is simply a one-note banality of evil with none of the “that’s wicked sexy” the reader demands. Arguably worse is attempts to have it both ways, where the character that does awful things is really a good guy who owns unspecified industry and treats his workers well and that sort of drivel. It’s wishy-washy. So how, then, do we rehabilitate the horrible alter egos we create to the point where they’re entertaining and not just a reflection of our deeply seated psychological issues?

The answer you always get is they must be interesting. This is true, although it’s a bit of a tautology. “How do I make a character interesting?” is the next obvious question and there no further help is usually forthcoming. It gets down to the technical skills that are not easily acquired. That’s not an answer anyone likes. We live in a “5 Weird Tricks for Doing Brain Surgery!” world, after all.

Don’t get me wrong, I’m not really in position to offer avuncular tips to new comers, what with my grand total of two published novels and general aura of self-contained arrogance that resists all new ideas mightily. Still, I’ve noticed a few things that might prove useful or at least non-detrimental, failing that.

There are no heroes or anti-heroes, just protagonists. Just accepting that statement will save you a lot of time and misery. The protagonist must connect with the reader. This is why your story about the guy that kills people and that’s the whole story isn’t the massive crowd-pleaser you envisioned. It’s also the reason why unlikable designated heroes are just as bad at the other end of the spectrum. We have to start by asking ourselves why anyone would care. If that question doesn’t have a good answer, it’s time to start over.

Not actually a significant source of Motorsickles.

That might be the hardest part, admitting that not every idea for a character is pure brilliance delivered by an unseen hand, that not every plot idea is the most amazing thing anyone has ever seen or ever will see. I know I struggle with it. “Me, have a bad idea?” It doesn’t even seem possible, right? The truth is it happens all the time. Learning to distinguish what would work and what wouldn’t is hard, but hey no easy solutions, journey of a thousand miles, all that disappointing reality.

Beyond that, watch out for points of no return, actions that are so reprehensible that the character can never be redeemed. There are actions where a reader simply will opt out, where you’ve gone too far. Don’t cross that line. It’s hard to say where that event horizon lies and, again, it’s something that must be felt rather than known. My rule of thumb is if I think something is too much, it definitely is. If I don’t, it still might be. If you’re less of desensitized cynic than I, this process will actually be much easier.

The bottom line is have fun with your protagonists and make them really shine out as something memorable. If there’s one sin that’s never forgivable, it’s mediocrity. Nothing bland, please. Make it righteous as all hell and everything else will fix itself.


Aaron Zehner is the author of "The Foolchild Invention" available in paperback and e-book format. Read free excerpts here and here.